“Going Up”

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Plot Description

Spoiler warning! Mrs. Foster has a pathological fear of being late. Whenever she is in danger of missing a train or plane or an engagement, a tiny muscle near her eye begins to twitch. The worst part is that her husband, Mr. Eugene Foster, seems to torment her by making sure that they always leave the house one or two minutes past the point of safety. On this particular occasion Mrs. Foster is leaving to visit her daughter and grandchildren in Paris for the first time ever, and she’s frantic to think that she’ll miss her flight. By the time her husband finally joins her at the car, she’s too far behind schedule. Luckily the flight is postponed til the next day, and Mr. Foster persuades her to come home for the night. When she’s ready to leave the next day, though, her husband suggests that they drop him off at his club on the way. Knowing this will make her late, she protests in vain. Just before the car leaves, he runs back in the house on the pretense of picking up a gift he forgot for his daughter. While he’s gone Mrs. Foster discovers the gift box shoved down between the seat cushions. She runs up to the house to tell him that she has the gift… and suddenly she pauses. She listens. She stays frozen for 10 seconds, straining to hear something. Then she turns and runs to the car, telling the driver that they’re too late and her husband will have to find another ride. She makes her flight and has a wonderful visit with her grandchildren. She writes her husband every week and sends him a telegram before she flies home six weeks later. He’s not at the airport to meet her though, and when she enters the house (after taking a taxi home) she notices a curious odor in the air. Satisfied, she enters her husband’s study and calls the elevator repairman. It had jammed and she left him to die there!


“William and Mary”

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Information

  • Original title:
    • “Abide with Me” (as per Treglown’s biography p. 122)
  • Connections:
    • The two main characters’ names are William and Mary, which are the same as the names of the white mice in The Witches

Plot Description

This is another of Dahl’s most famous short stories, and it’s been dramatized a number of times. Jeremy Treglown notes in his biography that Dahl did a great deal of neurosurgical research to make sure that experiment described would be as realistic as possible. Another interesting note: the names of the main characters, William and Mary, are the same as the two white mice in The Witches.

Spoiler warning! Mary Pearl’s husband William has passed away one week ago, and after the lawyer reads the Will, he gives her a letter from her dead husband. She returns home to read it, smoking a cigarette and admiring her new television set. She wonders what her demanding husband could possibly have to say to her. Maybe he’s finally decided to thank her for thirty years of dedication and service. Instead, she is shocked to discover twenty pages about a scientific experiment that an Oxford colleague convinced him to volunteer for. After his death from cancer, William’s brain was hooked up to an artificial heart machine and removed from his skull. It now resides in a basin of cerebrospinal fluid and only exists because the machines keep pumping it full of oxygenated blood. The doctor, Landy, has even managed to save one of William’s eyes, which is connected to his brain by the optic nerve and floats on top of the fluid in a plastic case. William urges her to put aside her revulsion and to come visit him to see how the experiment turned out. In a postscript he reminds her not to “drink cocktails… waste money… smoke cigarettes… buy a television apparatus.” Mary is appalled that a part of her husband is still alive and dictating commands to her. Her automatic sense of duty kicks in, though, and she heads to the laboratory to meet with Landy. He shows her William’s brain, conscious and alive in its basin, and she is surprised to feel a sort of affection for him in this state. “He looks so helpless and silent lying there,” she says. She announces to the doctor that she wants to take her husband home. He is astounded and tries to talk her out of her plan, but she is adamant. As he tries to get her to leave the lab, she leans down over the eye to say goodbye. She takes a puff of her cigarette and is delighted to see the pupil contract into a “minute black pinpoint of absolute fury.” The tables have turned and now Mary is in control. “Don’t look so cross, William,” she says. “It isn’t any good looking cross… Not anymore it isn’t. Because from now on, my pet, you’re going to do just exactly what Mary tells you.” Landy finally pulls her from the room as she exclaims, “Isn’t he sweet? Isn’t he darling? I just can’t wait to get him home.”


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“The Way Up to Heaven”

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Information


Plot Description

Spoiler warning! Mrs. Foster has a pathological fear of being late. Whenever she is in danger of missing a train or plane or an engagement, a tiny muscle near her eye begins to twitch. The worst part is that her husband, Mr. Eugene Foster, seems to torment her by making sure that they always leave the house one or two minutes past the point of safety. On this particular occasion Mrs. Foster is leaving to visit her daughter and grandchildren in Paris for the first time ever, and she’s frantic to think that she’ll miss her flight. By the time her husband finally joins her at the car, she’s too far behind schedule. Luckily the flight is postponed til the next day, and Mr. Foster persuades her to come home for the night. When she’s ready to leave the next day, though, her husband suggests that they drop him off at his club on the way. Knowing this will make her late, she protests in vain. Just before the car leaves, he runs back in the house on the pretense of picking up a gift he forgot for his daughter. While he’s gone Mrs. Foster discovers the gift box shoved down between the seat cushions. She runs up to the house to tell him that she has the gift… and suddenly she pauses. She listens. She stays frozen for 10 seconds, straining to hear something. Then she turns and runs to the car, telling the driver that they’re too late and her husband will have to find another ride. She makes her flight and has a wonderful visit with her grandchildren. She writes her husband every week and sends him a telegram before she flies home six weeks later. He’s not at the airport to meet her though, and when she enters the house (after taking a taxi home) she notices a curious odor in the air. Satisfied, she enters her husband’s study and calls the elevator repairman. It had jammed and she left him to die there!


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“The Soldier”

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Information


Plot Description

Spoiler warning! Robert is a soldier back from the war, and he has problems. He seems to have some sort of nerve damage that makes it difficult for him to feel heat or pain. He longs to return to the seaside holidays of his youth. He’s married to a woman named Edna, who seems to delight in tormenting him (or so he thinks). He cringes whenever he hears a plane fly overheard. He believes that Edna is changing the hot water taps and the doorknobs to confuse him. He sees faces peering at the window. He hears people following him outdoors at night. One night, returning home, “something small but violent exploded inside his head and with it a surge of fury and outrage and fear.” He goes inside and heads upstairs to Edna, but finds that it is another woman instead. She claims to be Edna’s friend Mary. She tells him to put down the knife in his hand. Robert tells “Mary” that though he loves Edna, she’s an “awful cruel little bitch.” He tells her that she rather looks like Edna. He wants to check for Edna’s birthmark behind her left ear. He moves in close and she suddenly turns and slaps him hard across the fact. As he sits on the bed and cries, she takes the knife from his hand and goes swiftly downstairs to the telephone.


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“Neck”

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Plot Description

I think this story is a lot more effective if you actually visualize it like you’re seeing it on television. Dahl did, in fact, dramatize it on his show “Tales of the Unexpected” with Sir John Gielgud as the butler Jelks and Joan Collins as Natalia. Doesn’t that just make it even better?

Spoiler warning! The narrator, a newspaper society columnist, starts off by telling us the history of Sir Basil Turton. Sir Basil inherited a vast newspaper empire from his father and immediately became the most sought-after bachelor in London. He was swept off his feet by a dazzling foreign woman named Natalia and they were married not long after. The narrator meets Lady Turton at a dinner party and, though he finds her manners rude, manages to wrangle an invitation to visit her home the next weekend. When the day arrives, the narrator drives down and is astonished at the variety of topiary and sculpture on the grounds of Wooton (Sir Basil’s estate). He enters the house and is shown to his room by a footman. Instantly he can tell that something is wrong in this house. While changing for dinner, our narrator is interrupted by Jelks, the butler, who launches into a peculiar rant about tipping. The upshot is that he would rather the narrator split his card winnings from the weekend with him than to tip. The narrator agrees, but is not amused when Jelks goes on to give him tips about Lady Turton’s playing tactics. The narrator gets the idea that Jelks doesn’t much like Lady Turton, nor her other houseguests. The narrator meets everyone else at dinner, and settles down to converse with Sir Basil about sculpture. Lady Turton amuses herself with her friends Carmen La Rosa and Major Jack Haddock, a bounder that is obviously in love with her. The narrator notices that Sir Basil is well aware of his wife’s indiscretion, but he’s unable to bring himself to do anything about it. The next day, the narrator and Sir Basil go for a walk around the estate. They take a seat up high on a hill that overlooks the entire garden. In the middle of their conversation, they witness Lady Turton and Major Haddock cavorting on one of the lawns, unaware that they are being watched. Haddock has a camera and is taking pictures of Lady Turton, who is mocking one of the sculptures. As a joke, she puts her head through a hole in the sculpture and then Haddock kisses her. Unfortunately, her head gets stuck. Sir Basil suggests that perhaps they should go help her out. When Sir Basil and the narrator arrive, Natalia is embarrassed and furious. Sir Basil tells Jelks to go get him something so that he can take the sculpture apart. Jelks returns with a saw and an axe. Everybody freezes as Jelks holds out the implements, and the narrator notices that Jelks slightly pushes the axe forward. Sir Basil takes the axe. The narrator says, “For me, after that, it was like the awful moment when you see a child running out into the road and a car is coming and all you can do is shut your eyes tight and wait…” When he finally opens his eyes, Sir Basil is telling Jelks that the axe is far too dangerous and requesting the saw. Lady Turton looks quite ill and her “mouth was opening and shutting making a kind of gurgling sound”. The narrator notices that, for the first time, Sir Basil has rosy cheeks and a smile in his eyes.


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“My Lady Love, My Dove”

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Information


Plot Description

Spoiler warning! Arthur is happily married to Pamela, a very wealthy yet overbearing woman. They are awaiting some weekend guests, the Snapes, and Pamela isn’t looking forward to it. The only reason she invited them was that the Snapes are good bridge players and they play for a decent stake. Suddenly Pamela gets the idea that they should bug the Snapes’s room. Arthur doesn’t like the idea, but Pamela bullies him and reminds him that they’ve done similar things together in the past. “I’m a nasty person,” she says. “And so are you — in a secret sort of way. That’s why we get along together.” Arthur is eventually persuaded to hide a microphone in the guest room and run the wire to the speaker in the master bedroom. Later the guests arrive and everyone has a pleasant dinner. Afterwards they play bridge, and the Snapes have all the luck. The wife, Sally, makes one mistake though that costs them several hundred points. At the end of the evening the couples part and Pamela excitedly tells Arthur to turn on the speaker. They are astonished to hear Mr. Snape reprimanding his wife for her earlier bridge error. She apologizes, but he tells her that they’re just going to have to practice some more. Arthur realizes that they’re talking about a betting code which allows them to cheat and know all of their partner’s cards. Arthur isn’t sure what they should do about it, and waits for Pamela’s decision. Her words shock him: “Why, Arthur, this is a mar-vellous idea… Go fetch a deck of cards; we’ll start right away.”


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“Mrs. Bixby and the Colonel’s Coat”

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Information

  • First published:
    • December 1959 issue of Nugget

Plot Description

Some sources refer to this as a “story-within-a-story”, but I wouldn’t go so far. It’s more like a story with a little stitched-on introduction. Critics like to point to this tale as yet another example of Dahl’s misogyny, but it’s actually quite different for a husband to win against a wife in his work (see “Lamb to the Slaughter” or “The Way Up to Heaven”).

Note: This story is based on an apocryphal anecdote dating back to at least the 1930’s. Dahl didn’t originate the plot!

Spoiler warning! Dahl introduces the story by commenting on the ruthless practice of American woman marrying men, using them, and divorcing them just for financial gain. He claims that these poor overworked men meet in bars and console themselves with tales in which cuckolded men win one over the evil forces of femininity. The most famous of these stories is “Mrs. Bixby and the Colonel’s Coat”, which is about a hard-working dentist and his duplicitous wife. Mrs. Bixby leaves home once a month ostensibly to visit her aunt in Baltimore, but really she spends the time with her lover, the Colonel. On this particular occasion she receives a parting gift from the Colonel, and when she opens it on the train home she is amazed to find an extremely beautiful and valuable mink coat. In a note the Colonel explains that their relationship has to end, but Mrs. Bixby is consoled by the thought of her fabulous new possession. Immediately she begins scheming and trying to think of a story she can tell her husband about where she obtained it. She decides to visit a pawnbroker and borrow $50 against the coat, receiving a blank pawn ticket in return. When she gets home she tells her husband that she found the ticket in a taxicab and he excitedly explains how they go about claiming it. Since she doesn’t want to be recognized by the pawnbroker, she lets him go to claim the item after he promises that he’ll give whatever it is to her. He calls her from work the next day to let her know that he has the item, and that she’s going to be really surprised and happy. Mrs. Bixby is too eager to wait, so she goes to her husband’s office to pick up the coat. Imagine her surprise, then, when her husband places a mangy mink stole around her neck! She feigns happiness for his sake, while secretly planning to return to the pawnbroker and accuse him of switching the coat for this worthless item. On her way out of the office, though, she is passed by her husband’s young assistant secretary, Miss Pulteney… wearing the “beautiful black mink coat that the Colonel had given to Mrs. Bixby.”


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“The Last Act”

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Information

  • First published:
  • Also published:

Plot Description

This is not a nice story. In fact, it’s probably my least favorite Dahl story of all. It should not be read by any children. It’s full of disturbing violence and sexual content, so I’m going to keep this synopsis as vague as possible. Read at your own risk.

Spoiler warning! When Anna Cooper finds out that her beloved husband Ed has been killed in a car accident, it nearly drives her crazy. They were so completely in love that she doesn’t think she can survive without him. Her children manage to convince her to carry on, but soon they’re all moved out and busy with their own lives. Anna misses Ed so much that she decides to kill herself. Before she can do it, though, her friend Liz talks her into helping out at Liz’s adoption society office. Anna discovers that hard work makes her feel needed and that life is once again worth living. After a year and a half of this, she feels that she’s “back in the swim” once again. It’s then that she has to take a business trip to Dallas, Texas to deal with a particularly difficult adoption case. In the hotel, Anna starts to feel frightened and alone. She remembers conversations she had with Ed about Texas. She needs a friend. Suddenly she remembers that Conrad Kreuger lives in Dallas. Conrad was her high school sweetheart and they had planned to get married. Then, of course, Anna had met Ed and left Conrad, and Conrad had married another girl named Araminty. She decides to call him up and, to her surprise, he suggests meeting her at the hotel for a drink. Anna is nervous about this, but feels her psychiatrist back home would be pleased (as he’s always telling her that she needs to “physically replace” Ed). She meets Conrad and is happy to see that he looks as handsome as ever. When she orders a gin martini, he frowns and tells her why gin is not good for women. That’s when Anna discovers that Conrad is now a gynaecologist. She and Conrad talk and she learns that his marriage only lasted two years and that he has almost no contact with his son. She commiserates and tells him the whole story of Ed’s death and her suicidal tendencies. After another discussion of how mentholated cigarettes are bad for women, Conrad lets it slip that he is still bitter about the way Anna jilted him. She is surprised, but he tells her that he was wildly in love with her. Then he suggests that the two of them might… “have a bit of unfinished business.” Anna isn’t sure how she feels about sleeping with another man. After a third martini, though, she’s floating and allows herself to be led back up to her hotel room. She and Conrad kiss for a while, and Anna begins to feel excited about being with him. He continues to make odd medical references, but she shushes him. Conrad is strangely clinical as he removes his clothes and prepares to make love to her. In the middle of the act, though, he feels an obstruction and she begins to feel sick. She wants him to leave but instead he pins her down and begins telling her precisely what is medically wrong with her. She’s nearly hysterical now and struggles to get him off her. Finally she begins to scream and he pushes her to the floor. She staggers to the bathroom crying “Ed!… Ed!… Ed!…” Conrad hears the click of the medicine cabinet being opened. Quickly he dresses himself, wipes the lipstick off his face, and leaves the room.


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“Lamb to the Slaughter”

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Information


Plot Description

This is probably the most well-known of all Dahl’s short stories, simply because (in my opinion) it’s so simple. There isn’t a single wasted word in it. It’s gripping, shocking, and yet the story proceeds in such a rational manner that the reader’s suspension of disbelief is never broken. We are with Mary Maloney from the first sentence of the story, and only at the end do we realize that we never really knew her at all.

Spoiler warning! Mary Maloney is a devoted wife and expectant mother. She waits happily each night for the arrival of her husband Patrick, home from work at the police station. On this particular night, though, she can tell something is wrong. In disbelief, she listens as Patrick tells her that he is leaving her for another woman. [Actually Dahl never really says this; the details are left up to the reader’s imagination.] Dazed, she goes into the kitchen to prepare their supper and pulls a large frozen leg of lamb from the deep freeze. Still numb, she carries it into the living room and without warning bashes her husband over the head with it. As she looks at Patrick lying dead on the floor, she slowly begins to come back to her senses. Immediately she realizes the ramifications of what she has done. Not wanting her unborn child to suffer as a result of her crime, she begins planning her alibi. She places the leg of lamb in a pan in the oven and goes down to the corner grocery to get some food for “Patrick’s dinner” (making sure the grocer sees her normal and cheerful state of mind). She returns home and screams when she finds Patrick lying on the floor. She calls the police and informs them that she found her husband lying dead on the floor. Within hours swarms of officers are searching the house and conducting an investigation. Mary’s story of coming home from the grocer and finding him is corroborated as she had planned. While the police are searching fruitlessly into the night for the murder weapon, Mary offers them some lamb that she had prepared for dinner. They are happy to oblige. While they lounge in the kitchen and discuss the case (their mouths “sloppy” with meat), Mary Maloney sits in the living room and giggles softly to herself.


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“The Great Switcheroo”

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Information

  • First published:

Plot Description

This is a very adult story and I would highly recommend that kids don’t read it. Not only is it of a very sexual nature, but it’s got some questionable language too. It’s from Dahl’s book Switch B***h. I’m going to keep the plot description as vague as possible.

Spoiler warning! Vic lusts after Samantha, the wife of his best friend and neighbor Jerry. Samantha is a faithful woman, though, and Vic knows he stands no chance of seducing her. So he concocts a plan that will allow him and Jerry to switch wives for an evening without the women knowing it. He manages to convince Jerry of the plan and the two of them spend many weeks working out the details. On the fateful night, the two men switch beds and make love to the other man’s wife. Then they return home, full of glee at their own cleverness. Vic gets quite a shock the next morning, though, when his wife Mary admits that she’s never really enjoyed sex with him… before last night.


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