Category: Media

“In the Ruins”

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Information

  • First published:
    • Program of the World Book Fair, June 1964
  • Also published:
    • March 1965 issue of King
  • Trivia: According to Dahl collector Richard Walker, this story was originally meant to be published in the collection Kiss Kiss, even to the point of being included in the setting copy for the printers, but dropped at the last minute.

Plot Description

This is a very short and gruesome little story. It’s only been reprinted a few times and one of the most difficult stories for me to track down.

Spoiler warning! The narrator is walking through “the ruins”, presumably some village after it has been ravaged by war. He comes across a man sitting on the ground and sawing off his own leg. The man has a hypodermic needle next to him, which obviously contained some sort of an anesthetic. This “doctor” offers the narrator “some”. The narrator is crazy with hunger and accepts. The doctor says he will share as long as the narrator promises to “produce the next meal”. He also assures the narrator that he is “uncontaminated”. He explains that the hypodermic was a “caudal injection”, which is applied to the base of the spine. “You don’t feel a thing.” The narrator gathers some wood and makes a fire. He begins to roast the meat. A little girl comes up, drawn by the smoke and smell of cooking. The doctor offers her some of the meat, but tells her that she will have to “pay it back later”. The doctor observes that with the three of them, they should be able to survive for quite a long time. “I want my mummy,” the child begins to cry. “Sit down,” the doctor told her. “I’ll take care of you.”

(If you didn’t get it, they were eating the doctor’s leg. His plan to survive is that they will each provide body parts for food.)

Fun Stuff

“The Hitchhiker”

Sections: Information | Plot Description | Teacher Ideas

Information

Plot Description

The narrator of this story is never named, but it sounds very much as if it’s Dahl himself. What do you think?

Spoiler warning! The narrator is driving to London is his lovely new BMW when he picks up a hitchhiker. The man, who looks rather like a rat, mentions that he’s going to the horse races, but not to bet or work the ticket machines. The narrator is intrigued and says that he’s a writer. They get to talking about the car, and the narrator proudly states that it can hit one hundred and twenty-nine miles per hour. The hitchhiker doubts that, so once they hit a straight patch of road, the narrator steps on the gas. They’re almost there when a policeman on a motorcycle zooms past and signals them to stop. The cop is a bit of a bully and threatens to have the narrator thrown in prison. He takes down his address and also the address of the hitchhiker. Then he gives them a ticket and leaves and they continue on their way. The narrator is worried about the ticket, but the hitchhiker says it will be fine. They begin talking about their careers again, and eventually the hitchhiker announces that he is a “fingersmith.” He is so skilled with his hands that he even manages to remove the narrator’s belt without him noticing. He attends the races and steals money from the winners. “That policeman’s going to check up on you pretty thoroughly,” the narrator says. “Doesn’t that worry you a bit?” The hitchhiker responds that no one will be checking up on him, as policemen have notoriously bad memories. “What’s memory got to do with it?” the narrator asks. “It’s written down in his book, isn’t it?” The hitchhiker proudly announces that he’s stolen both books from the policeman. “Easiest job I ever done.” They pull off the road to burn the books.

Teacher Ideas

“The Great Switcheroo”

Sections: Information | Plot Description | Reviews

Information

  • First published:

Plot Description

This is a very adult story and I would highly recommend that kids don’t read it. Not only is it of a very sexual nature, but it’s got some questionable language too. It’s from Dahl’s book Switch B***h. I’m going to keep the plot description as vague as possible.

Spoiler warning! Vic lusts after Samantha, the wife of his best friend and neighbor Jerry. Samantha is a faithful woman, though, and Vic knows he stands no chance of seducing her. So he concocts a plan that will allow him and Jerry to switch wives for an evening without the women knowing it. He manages to convince Jerry of the plan and the two of them spend many weeks working out the details. On the fateful night, the two men switch beds and make love to the other man’s wife. Then they return home, full of glee at their own cleverness. Vic gets quite a shock the next morning, though, when his wife Mary admits that she’s never really enjoyed sex with him… before last night.

Reviews

“The Great Automatic Grammatizator”

Sections: Information | Plot Description | Reviews

Information

Plot Description

This angry little satire is very “meta” and constantly draws attention to itself as a work of fiction. Take the main character’s name for example: Adolph Knipe. Not only is it hard to say (and has unfortunate associations with Adolf Hitler), it also bears a suspicious resemblance to one of Dahl’s own publishers, Alfred Knopf. But Knopf was the company that published Someone Like You, the anthology that contained this story! Is Dahl trying to tell us something here?

Another example is the paragraph where Knipe explains that nearly every writer makes a practice of inserting one long archaic word into each story to make himself sound smarter. When Mr. Bohlen asks where these words are stored, Knipe “epexegetically” answers “in the ‘word-memory’ section.” It took me at least three readings to notice that Dahl was making a subtle joke simply with that one word, which I repeatedly skimmed over. (It means “by way of explanation,” in case you’re wondering.) It could also be a clue that this story itself – regardless of the first-person section at the end – was actually created on the Great Automatic Grammatizator.

Spoiler warning! Adoph Knipe is a computer genius but has always longed to be a writer. He convinces his boss, Mr. Bohlen, to let him build a computer that will write stories. Knipe succeeds and sets up a publishing company as a front for this new mass-produced literature. Later they modify the machine to write novels and begin making thousands of dollars. The final step in their domination of the publishing industry is to buy out real authors and pay them to never write again. The surprise in the story comes at the end, when the narrator reveals that “over half of all the novels and stories published in the English language” are now created by Adolph Knipe on the Great Automatic Grammatizator. The conclusion of the story is written in first-person, as a struggling writer listens to his nine hungry children cry and tries to resist the lure of Knipe’s “golden contract.” “Give us strength, Oh Lord,” he prays for all true artists, “to let our children starve.”

Reviews

“Georgy Porgy”

Sections: Information | Plot Description | Reviews | Criticism and Analysis

Information

Plot Description

This story is actually quite disturbing, if you ask me. I’d definitely think twice before letting an impressionable child read it. It has some very vivid passages that can only be described as a Freudian nightmare come to life.

Spoiler warning! George is a vicar in a small country parish and has quite a problem with women. On one hand he is mad about them – the mere sight of a lady in high heels is enough excite him enormously. On the other hand, he can’t bear to touch them or be in close proximity to them. George doesn’t understand the reason for this paradox, but Dahl gives the reader an additional insight – George’s memories of his mother. She was apparently quite a free spirit and took pleasure in teaching her soon the “realities” of life. He quite simply adored her. One night, after a week’s worth of discussions about sex, she took him to the garage to see their rabbit Josephine give birth. As they marvelled at the miracle of life, Josephine began to swallow her new children whole. George screamed, and as he turned to his mother her large open mouth loomed over him and he fled shrieking into the night. She chased him across a highway and was struck by a car and killed. (Undoubtedly this incident affected George deeply and resulted in his subconscious attraction/revulsions towards all women.) Now grown, George tries everything to elude the parish widowers who constantly stalk him. They are persistent though, and George grows more and more desperate with each attempt to seduce him. Finally Miss Roach gets him drunk at a tennis party and catches him in an embrace out in the garden. He is too lightheaded to resist. As she goes to kiss him, though, he sees her large open mouth and begins to scream as she swallows him whole. He continues to narrate from his new home in her digestive system, although we the readers know that he has just simply gone mad. The padded room that he believes is located somewhere near her right kidney is actually in an asylum.

Reviews

Criticism and Analysis

“Genesis and Catastrophe”

Sections: Information | Plot Description | Criticism and Analysis

Information

Plot Description

This most remarkable thing about this story, I think, is the timing. I don’t want to give the surprise away to those of you who haven’t read it, but just think about the fact that Dahl was able to write this incredibly compassionate and and yet subtly ironic story (about a woman who has lost three children in the last eighteen months and desperately wants her newborn to survive) after witnessing countless horrible atrocities in World War II. It’s amazing. It’s also worth noting that this story, unlike many others, does not have a surprise “twist” at the very end. There is a shocking revelation, but the reader arrives at it gradually throughout the story.

Spoiler warning! The narrative begins immediately after the birth of a baby, a boy. The doctor tries to reassure the mother Klara that the child is healthy and will survive, but she has lost all hope after her other three children have died. We also learn that she and her husband, Alois, have recently moved to this new city and that he is an overbearing, unsatisfied sort of man. The doctor manages to convince her that her new son is all right and she decides to name him Adolphus, or Adolf for short. She finally gets to hold her little Adolf and falls in love with the beautiful child. Her husband arrives (Note: the doctor addresses him as “Herr Hitler”!!) and comments on the boy’s small size. The doctor pleads with him to give his wife some needed support. He finally kisses her and tries to comfort her. “He must live, Alois,” she cries. “He must, he must… Oh God, be merciful unto him now…” Of course, we know that the very infant whose life she prays for is none other than Adolf Hitler, the man responsible for millions of deaths and years of suffering in World War II.

Criticism and Analysis

“Galloping Foxley”

Sections: Information | Plot Description | Reviews | Teacher Ideas

Information

Plot Description

This story has a very autobiographical feeling to it, and one can’t help but wonder whether it actually happened to Dahl or not. His feelings about the English Public School system are well-documented (see Boy – Tales of Childhood or Jeremy Treglown’s Roald Dahl: A Biography), and he loads this short story full of so many intense details that it seems unlikely he would ever make such a thing up. Perkins also attends Repton, where Dahl himself went to school.

Spoiler warning! The story, if indeed it can be called that (since there really isn’t much of a plot at all), is about a “contented commuter” named William Perkins. He is a distinguished businessman and prides himself on the regularity and precision with which he goes about his daily routine. One day his peace is shattered, however, when a newcomer joins the usual group waiting for the commuter train. After several days of grudging conversation with this obnoxious man, Perkins suddenly recognizes him as Bruce “Galloping” Foxley, an older boy who sadistically tormented and tortured him for years in school. The entire story then comes to a grinding halt as fifty-year-old memories begin to flood Perkins: warming the toilet seat for Foxley, cleaning Foxley’s study, receiving a beating from Foxley. As Perkins becomes more and more shaken by these memories, he decides to reveal himself to the man and watch his reaction. He leans over and introduces himself: “My name is Perkins – William Perkins – and I was at Repton in 1907.” Imagine his surprise, then, when his companion answers, “I’m glad to meet you. Mine’s Fortescue – Jocelyn Fortescue, Eton 1916.” He is NOT Galloping Foxley!

Reviews

Teacher Ideas

“Edward the Conqueror”

Sections: Information | Plot Description 

Information

Plot Description

This story shares a similar element with “Mr. Botibol,” that of a normal person envisioning himself as a concert performer.

Spoiler warning! The protagonist in the story, Louisa, makes a daily habit of playing a piano programme for herself and her imaginary audience. One day she befriends a stray cat and is amazed when he seems to respond to her playing. After several experiments, she concludes that he is not what he seems. In fact, Louisa becomes convinced that the cat is none other than the reincarnated composter Franz Liszt himself. Her husband Edward, on the other hand, thinks that Louisa is delusional. He begins to resent her attachment to the cat and refuses to entertain the possibility that it’s anything more than an average stray. When she begins to question Edward’s authority and accuses him of being frightened of her discovery, he lashes out at her in one final attempt to correct her priorities. Louisa remains steadfast. While she is in the kitchen preparing dinner for “Franz,” Edward heads out to the bonfire he has started in the backyard. When he returns Louisa notices a long thin scratch on one arm. He has thrown the cat in the fire!

“Dip in the Pool”

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Information

  • First published:
  • Connections:
    • Protagonist has the same name as protagonist in “Mr. Botibol”. Additionally, the same actor Jack Weston portrayed the character in both episodes of Tales of the Unexpected. (Thanks Randy Bratton for pointing this out!)

Plot Description

This story is an exercise in subtlety, from the gentle joke of its title to the surprise catch at its ending. The main character, Mr. Botibol, also has the same name as the protagonist from another Dahl story, “Mr. Botibol”.

Spoiler warning! Mr. Botibol is traveling across the ocean in a large ship and wants desperately to win the passenger auction. Each night the captain of the ship estimates the distance that they will cover in 24 hours, and a range of possible numbers are then auctioned off to the guests. Whoever owns the correct number the next day wins the amount of money in the pool. Mr. Botibol notices that the sea has suddenly gotten rough and that this will surely slow down the ship and throw off the captain’s estimate. Confident in victory, then, he uses his life savings to win the “low field” number (meaning any number more than 10 less than the estimate). When he wakes up the next morning, though, the sea is calm and the ship is making up for lost time. Mr. Botibol arrives at the desperate conclusion that jumping overboard is the only way to slow down the ship and therefore win the pool. He plans his strategy very deliberately – he will wear light tennis clothes (so he can swim better), he will make sure another person witnesses his “fall” and reports it to the captain, and he will swim as far from the ship as possible so that it must turn completely astern to pick him up. He finds the deck deserted except for one older woman. After talking to her briefly he concludes that she is neither deaf nor blind, and within moments he has plunged into the water screaming for help. The woman acts confused for a moment, then relaxes and watches the small bobbing man get further and further away. At the very end of the story, a bony woman comes out to collect the older lady and admonishes her for “wandering about.” The old woman is seemingly a mental patient!

Reviews

Teacher Ideas

“The Devious Bachelor”

Sections: Information | Plot Description | Fun Stuff 

Information

Plot Description

This is one of my favorite Dahl stories, and the one with (I think) the most potent twist in the tail of all. It’s not until the very last sentence that you understand the true story.

Spoiler warning! Lionel Lampson is a wealthy older gentleman who enjoys fine art and the company of the upper classes. One night he escorts a vulgar woman named Gladys Ponsonby home from a dinner party. Gladys, who is a little drunk, shows off a new portrait of herself that she had commissioned. She tells Lionel a secret – the artist, John Royden, paints all his subjects first in the nude, then in their underwear, and lastly in their clothes. He is shocked and correctly deduces that this is why all the wealthy women in town are rushing to have their portraits painted by him. Gladys then changes the subject and asks Lionel about his relationship with a young beauty named Janet de Pelagia. Lionel is embarrassed until Gladys relates that earlier that afternoon Janet had called him a “crashing bore”. Lionel is outraged and forces Gladys to repeat the entire conversation. He is so upset to hear what Janet thinks about him that he swoons. The next day he wakes and vows revenge. He hits upon the perfect plan and calls up this artist Royden. He tells him that he’d like a picture of Janet, but doesn’t want her to know about it. He pays Royden a handsome amount for his services, and then goes off to Italy for four months. By the time Lionel returns, Royden has finished the painting and it’s the talk of the Royal Academy. Royden delivers it to Lionel, who can’t wait to move on to the second part of his plan. He is an expert cleaner and restorer of paintings, and very carefully he begins to remove the top layer (the clothing) of the painting. By the time he has finished, Janet de Pelagia is standing before him almost life-size in nothing but her underclothes. Lionel then invites Janet and all the top members of society to his home for a dinner party. He keeps the dining room dark and they eat by candlelight. At the very end, he has the maid turn on the light. As he slips from the room, he has the pleasure of seeing on Janet’s face the “surprised, not-quite-understanding look of a person who precisely one second before has been shot dead, right through the heart”. As the outraged guests begin to exclaim over the painting, Lionel gets into his car and speeds off to his other house. Two days later, he receives a phone call from Gladys Ponsonby that kills his good mood. She tells him that all his old friends are against him and have sworn never to speak to him again. Lionel begins to feel quite bad. Then, in the post arrives a letter from Janet forgiving him and saying that she knew it was a joke and that she’s always loved him. She also sends him a jar of his favorite food, caviare. As the story ends, Lionel mentions that he might have eaten too much of it, as he isn’t feeling too well right now. In fact, he says, “come to think of it, I really do feel rather ill all of a sudden.”

(If you don’t get it, she sent him poisoned caviare as her revenge.)

Fun Stuff